Commit Graph
9 Commits
Author SHA1 Message Date
Eric WagonerandClaude Fable 5 0f01f8c356 The ground gets cast: per-pixel floor and ceiling, both paintable
True floor-casting replaces the gradients and the projected seam lines:
every screen row lies at one depth, walked with a constant world-space
step and sampled from floor.png underfoot and ceiling.png overhead —
each maze cell wearing exactly one tile, so the artist's border IS the
cell seam. Distance shade and fog fold into the same per-pixel pass,
pixel buffers cache per texture (re-read when a painted file lands),
and the whole frame still clears 60fps with room to spare. Flagstones
and dark slabs ship as the starter files beside the other masonry.

Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
2026-08-23 13:05:46 -04:00
Eric Wagoner b2a6809a92 Eric repaints the masonry: hand-painted 256px textures for the maze
Chiseled stone for the walls and rim, oak planks with a riveted iron
band for the doors, rough block for filled stone, licking flame, and a
violet spiral for the warps — dropped into public/textures/ with no
code touched, exactly as the pipeline intended.
2026-08-23 13:00:39 -04:00
Eric WagonerandClaude Fable 5 fb89d752ae The masonry becomes files: first-person textures join the paintable art
The six materials move out of the renderer into public/textures/*.png —
repaint any of them (any size; the sampler reads each file's own scale)
and refresh, exactly as the token SVGs work. fpv/textures.ts keeps the
procedural bake as the shipped default and the stand-in while files
load, and the /?tokens gallery grows a masonry section showing the set
beside the tokens they will someday match.

Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
2026-08-23 12:48:58 -04:00
Eric WagonerandClaude Fable 5 d8b8f8fd53 Wall-segment 'tokens' retire; the gallery shows edges as the maze draws them
The game has never used token art for edge effects — created walls,
doors and their lock states, fire walls, illusions are all vector edge
treatments. The ten unreferenced file pairs (wall, wall-2, door,
fire-wall, illusion-wall, destroy-wall, jam-lock, lock-gone,
redirection-a/b) are gone from both art sets, and the Token Workshop
gains 'Walls & doors — as the maze draws them': every edge state
(locked, ajar, held, removed, jammed), the standing fire, and both
faces of an illusion, rendered by the same EdgeGlyph / FirewallEdge /
IllusionShimmer components the board mounts. EdgeGlyph is newly
extracted from Board so the display cannot drift.

Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_0138A8CjeQRpvzKxuMfz1Bqc
2026-08-18 10:16:28 -04:00
Eric WagonerandClaude Fable 5 dcaf358a93 Right the dimensional warp token — its caption stood on its head
The physical-set crop was rotated 180; sips -r 180 sets it upright.

Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
Claude-Session: https://claude.ai/code/session_0138A8CjeQRpvzKxuMfz1Bqc
2026-08-17 21:12:13 -04:00
Eric WagonerandClaude Fable 5 c62c3b4f05 The SVG tokens join the source proper
The symlink into research/ becomes real files: public/tokens-svg now
owns the hand-drawn set, edited in place and served as-is by the dev
server. The research folder is scaffolding with a demolition date,
not a place for shipped assets to live.

Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
2026-08-17 11:29:42 -04:00
Eric WagonerandClaude Fable 5 e0e96ca5ca The art workshop's side door
The hand-drawn SVG token set wires in behind deliberately
undocumented query params — svgPlayers, svgCreatures, svgTerrain,
svgObjects, each =true — swapping that category's art everywhere it
draws: board tokens, lobby standees, roster. public/tokens-svg
symlinks research/tokens-svg, so under the dev server an edit to the
source art shows on the next refresh, and the production build copies
real files through the link. Nobody finds the door unless handed the
key; the photographed set remains the face of the game.

Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
2026-08-17 11:27:28 -04:00
Eric WagonerandClaude Fable 5 ced4dc5749 Link previews and a wizard in the tab
Sharing the game's URL now unfurls a proper card: Open Graph and
Twitter meta tags with a 1200x630 preview composed from the physical
set's own counter art — WIZ-WAR in tall caps over the parchment, the
tagline in script, a row of wizard, troll, and treasure tokens, and
the fan-project line beneath. The favicon becomes the purple wizard
in his black hat, cropped from the counter sheet; the your-turn
variant wears a red badge, replacing the old lettered SVGs.

Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
2026-08-16 11:28:22 -04:00
Eric WagonerandClaude Fable 5 bd8ca99dc0 The real 1993 token art takes the board
All 45 tokens cropped from Eric's photos of the physical counter
sheets by connected-component segmentation (with cable/reflection
filtering, merged-blob rescue, and one hand-tuned crop for the red
treasure the charging cable was hugging). Terrain squares, monsters,
wizards, treasures, floor objects, and dimensional warps now render
the genuine hand-inked art: solid stone, thornbush, rosebush, killer
ooze, dustcloud, slime, tacks, pit, safe, skeleton, troll, wraith,
fire imp, democratic monster, shadow, alter ego, dagger, rock,
master key, magic stones and wands, the six wizard standees, and the
six color-keyed treasure chests. Wizards and creatures wear a thin
controller-color ring; art tokens cast a soft cardboard shadow;
terrain art passes clicks through to the floor while wizards and
creatures stay clickable. Every vector rendering remains in place as
automatic fallback (USE_TOKEN_ART flag plus per-kind mapping), per
Eric's request. Sprites live in packages/web/public/tokens at 144px.

Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
2026-08-16 00:26:06 -04:00